“ᴴᵉʳᵐᶦᵒᶰᵉ ᶫᵃᵘᶰᶜʰᵉᵈ ʰᵉʳˢᵉᶫᶠ ᶠᵒʳʷᵃʳᵈˢ ᵃᶰᵈ ˢᵗᵃʳᵗᵉᵈ ᵖᵘᶰᶜʰᶦᶰᵍ ᵉᵛᵉʳʸ ᶦᶰᶜʰ ᵒᶠ ʰᶦᵐ ᵗʰᵃᵗ ˢʰᵉ ᶜᵒᵘᶫᵈ ʳᵉᵃᶜʰ⋅
'ᴼᵘᶜʰ — ᵒʷ — ᵍᵉʳʳᵒᶠᶠ﹗ ᵂʰᵃᵗ ᵗʰᵉ — ﹖ ᴴᵉʳᵐᶦᵒᶰᵉ — ᴼᵂ﹗'
“ʸᵒᵘ — ᶜᵒᵐᵖᶫᵉᵗᵉ — ᵃʳˢᵉ — ᴿᵒᶰᵃᶫᵈ — ᵂᵉᵃˢᶫᵉʸ﹗”
ˢʰᵉ ᵖᵘᶰᶜᵗᵘᵃᵗᵉᵈ ᵉᵛᵉʳʸ ʷᵒʳᵈ ʷᶦᵗʰ ᵃ ᵇᶫᵒʷ﹕ ᴿᵒᶰ ᵇᵃᶜᵏᵉᵈ ᵃʷᵃʸ, ˢʰᶦᵉᶫᵈᶦᶰᵍ ʰᶦˢ ʰᵉᵃᵈ ᵃˢ ᴴᵉʳᵐᶦᵒᶰᵉ ᵃᵈᵛᵃᶰᶜᵉᵈ⋅”
"Apart from anything else, I got to work with Jennifer Lawrence. She’s a lovely girl. I know people often say things like that in interviews, but she really is. While she may be young, she doesn’t feel at all precocious. Instead, she’s smart and funny and terrific at connecting with people. She just blew me away.” - Julianne Moore
“People don’t like her because it’s the making of her, right now. When she, sometime soon in the future, becomes this person that she’s been kind of building up to, for the past three seasons, now four, then people will really begin to root for her. I think even the audience doesn’t realize she’s such a dark horse. If she acted badass and tried to kill everyone there, she would be dead by now! She’s so intelligent, and I can’t stress that enough. Courtesy is a lady’s armor. She’s using her courtesy to deceive people, and she’s using her former self as a facade, and it works so much to her advantage, because people still think she’s this naive, vulnerable, little girl, and she’s really not. She knows exactly what she’s doing. She knows what game she’s playing! And no one else does. And she’s learned from the best — Cersei, Margaery, Tyrion, Littlefinger, even Joffrey. She’s learned so much from these people, and they don’t even realize it. They’re unwittingly feeding her to become this great kind of manipulator. King’s Landing can either make or break a person, and in Sansa’s case, it’s making her.”
Here in the stillness, the quiet place,
Where I’m lying with a down turned face.